calling Roy Stryker

I'm no Walker Evans, but knowing his photographs I think he would have appreciated the old Aylor & Meyer Feed Mill in Aurora.  And also the Nikon D800 and Adobe Lightroom.

heavenly view

High on the slope it has occupied for 157 years, Hillforest sits quiet on this Easter Sunday. Taking in the view & exposing a few frames, peace and beauty all around.

like home

A small scene, about 2 miles from my house, along the state road - destined for Samantha's walls in Colorado.  A little of Indiana, to refresh her memories.

focused eyes

After viewing the first D800 frames, my friend David asked me to zoom in on my dog Lilybee's eyes so he could check sharpness.  I thought it would benefit us both, however, if I shot some studio portraits with our new fluorescent lights.  So, after class on Friday, I asked one of my former students, Jesse Fox, if she would stand in for the test.  Sharpness looks fine to me, and the fact that these 50 MB files can become 20x30 inch prints makes the D800 a special camera. And the eyes - well, they belong to a young photographer who was just voted the 2nd best visual artist in Cincinnati by City Beat Magazine. Sharp & focused.

aerials

Look up, look down, I told my Photo 1 students this week - their minds & eyes usually intent on what's directly in front. And, I reminded them - you don't need a helicopter or airplane to shoot aerials.  Sometimes the view is great both ways, and sometimes a single frame encompasses all.

new

I guess excitement and expectation would best describe the unboxing of a new camera. Although as pros we claim to look at our cameras & lenses as tools, we all have a little 'gadget freak' in us.  So it was when I opened my new Nikon D800 and shot the first few frames yesterday.  The D800, although much like my other Nikons in appearance, is a radical departure in its make-up.  Creating frames 3 times the size of my D3, the 800 makes for a huge change in resolution, handling/storing of files and a general re-thinking of how to approach digital photography.  It's like loading a roll of Kodachrome 25 again - you have to slow down your approach & attention to detail and work a little harder at making images that live up to the potential of the camera. 

fast horses

Spring is rushing at me faster than I thought - the magazine asked me to photograph a Mint Julep at Virgil's in Bellevue, so we must be closing in on Derby day. We tried to make Juleps once, even used small batch whiskey & mint from the garden - but it must take a long, dry day at the race track to really enjoy them.  Got to admit, however, that Eric the bartender serves up one that looks pretty refreshing.